VideoS

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 Tom R. Chambers sees this approach quite a bit where artists/photographers superimpose Kazimir Malevich's "Black Square" (particularly) and other geometric forms onto images (photographs) to make a point. He has taken this a bit further, perhaps, by superimposing "Black Square", but in chameleonic fashion where this geometric form takes on some of the color of its surroundings (within the image/photograph) ... his point being that "Black Square" is "organic" ... melding with Nature and the Cosmos. 

 These Suprematist and Geometric Abstractionist art pieces stem  from Kazimir Malevich's early works prior to his Suprematism  and "Black Square". They are used as symbols of rage to echo  back to Malevich's tumultuous years with Soviet politicians who  were against his abstract style (Suprematist) of art. Malevich  soon lost his teaching position, artworks and manuscripts were  confiscated, and he was banned from making art. Forced to  abandon abstraction, he painted in a representational style in  the years before his death from cancer in 1935, at the age of 56. (Wp)